your notion
 of social architecture 
along a hierarchical mode of organization 
occupying nesting 
spheres: the performers syncing with each other 
who also belong to an 
articulated and nuanced vape subculture, 
which exists and emerges IRL 
via the web; 
locating the performance as embedded in the 
larger sphere of national citizenship 
relative to the geopolitical 
presence of American-Russian bilateralism.
via an audio recording of the synchronized swim 
routine executed by Russia’s “angels” 
Here, 
I’m referring other net subcultural modalities
 as critical linguistic and ideological nuclei, 
and        recent reenactments of subversive Cold War-era double entendres and 
euphemisms 
these spaces: updated 
proxy war. 
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