your notion
of social architecture
along a hierarchical mode of organization
occupying nesting
spheres: the performers syncing with each other
who also belong to an
articulated and nuanced vape subculture,
which exists and emerges IRL
via the web;
locating the performance as embedded in the
larger sphere of national citizenship
relative to the geopolitical
presence of American-Russian bilateralism.
via an audio recording of the synchronized swim
routine executed by Russia’s “angels”
Here,
I’m referring other net subcultural modalities
as critical linguistic and ideological nuclei,
and recent reenactments of subversive Cold War-era double entendres and
euphemisms
these spaces: updated
proxy war.
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