why certain women when last two characters are defined more by economic class than anything else

I just can't with this title, and it's obviously good and depressing, it's KR.
It just, it just sounds like something Adam Brody would play in, where he idealizes some object-of-desire, where his stalkerly tendencies are romanticized as Maroon5 plays in the distance via the mid-late 2000s.

*there are stalkerly tendencies in this film, but they are not rewarded*